Dali Sonik 3 小喇叭，大聲量！

時間：Mon, 02/02/2026 作者：Trevor Butler 翻譯：Gemini  編輯、校稿：巨禮小編

原文網址：https://the-ear.net/review-hardware/dali-sonik-3-small-speakers-play-loud/

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Dali Sonik 3 喇叭 Dali Sonik 3 speakers

 

Sonik is the latest range from Danish loudspeaker brand Dali, and the Sonik 3 is the larger of two stand-mount designs to be launched alongside three floor-standing models, a dialogue speaker called Sonik Cinema and the On-Wall unit presumably intended for read/side channel installations. We concern ourselves here with the somewhat dinky Danish-designed and Chinese manufactured Sonik 3 which packs a lot into not only a compact design but one at a modest price by today’s standards.

Sonik 是丹麥精品喇叭品牌 Dali 的最新系列，而 Sonik 3 是該系列同步推出的兩款書架喇叭（外加三款落地喇叭、一款名為 Sonik Cinema 的中央聲道喇叭，以及推測是為後置/側環繞聲道設計的壁掛式喇叭）中體積較大的一款。我們今天探討的主角，是這款外型相當精巧、由丹麥設計並在中國製造的 Sonik 3。它不僅在緊湊的機身中塞入了豐富的技術，以現今的標準來看，其售價更是相當親民。

 

丹麥血統 Danish roots

 

Dali (short for Danish Audiophile Loudspeaker Industries) was founded in 1983 by Peter Lyngdorf. To begin with sales were just to Scandinavia as Dali was a house brand of the Hi-Fi Klubben chain of stores in that territory. Dali became an independent company in 1985 and the following year moved to new facilities in Nørager, with its first model, the Dali 2, released the same year. The company expanded into international markets in the 1990s before 2001 saw its first international office open, in Germany, followed by a UK operation in 2005, Dali is now a near-global operation.

Dali（全名為 Danish Audiophile Loudspeaker Industries，丹麥發燒友喇叭工業）由 Peter Lyngdorf 於 1983 年創立。創立之初，Dali 僅在斯堪地那維亞半島銷售，因為它是當地 Hi-Fi Klubben 連鎖音響店的自有品牌。Dali 於 1985 年成為一家獨立運營的公司，並於次年遷至位於 Nørager 的新廠房，同年推出了其首款型號 Dali 2。該公司在 1990 年代擴展至國際市場，隨後於 2001 年在德國成立了首家海外分公司，緊接著在 2005 年進軍英國。時至今日，Dali 已經是一家近乎全球化運營的品牌。

 

 

Among notable audio achievements, the R&D team has developed a proprietary wood-chip-reinforced cone, for midrange and bass drivers, as well as the combination of dome and ribbon tweeters in high-end models. The designers say they want to create “amplifier-friendly” loudspeakers with as near as constant impedance as possible across the frequency range. They also do their utmost to create drive units which spread the so-called sweet-spot, without compromising stereo focus.

在顯著的音響成就中，研發團隊為中音與低音單體開發了專利的木屑強化音盆，並在高階型號中採用了凸盆與絲帶高音單體的組合。設計師表示，他們希望打造出「對擴大機友善」的喇叭，使其在整個頻率範圍內盡可能保持恆定阻抗。他們也盡最大努力打造能擴展所謂「皇帝位（sweet-spot）」的單體，同時不犧牲立體聲的結像力。

 

Sonik 設計 Sonik design

 

Dali conceived the Sonik 3 with the aim of giving “monitor-level coherence” along with “precision with the richness of a larger speaker”. I admired the first while the latter attributes were less obvious to begin with. The drive units are a 7-inch SMC and Clarity Cone mid/bass along with a 29mm ultra-light soft dome tweeter, crossing over at a respectable 2.3kHz.

Dali 構思 Sonik 3 的目標是提供「監聽級的連貫性」，以及「兼具精準度與大型喇叭的豐潤感」。我很欣賞前者，而後者的特質一開始則沒有那麼明顯。單體配置為一顆 7 吋 SMC 與 Clarity Cone 中低音單體，搭配一顆 29mm 超輕量軟凸盆高音單體，分頻點設在相當不錯的 2.3kHz。

 

The marketing material explains that, inspired by the Dali Kore technology, the Clarity Cone paper and wood fibre cones are lightweight yet rigid and boast superior resonance control for better integration with the tweeter. SMC refers to the manufacturer’s patented Soft Magnetic Composite material (first used in 2012), developed to reduce distortion and improve linearity.

行銷資料解釋，受 Dali Kore 技術啟發，Clarity Cone 的紙與木纖維音盆不僅輕盈且堅硬，並具備優異的共振控制能力，能更好地與高音單體銜接。SMC 指的是製造商專利的軟磁複合材質（首見於 2012 年），專為降低失真與提升線性表現而開發。

 

A ferrite ring surrounds a hybrid iron-SMC pole piece, placing it directly in the voice coil’s working area. This is said to minimise hysteresis and eddy currents, to deliver a cleaner, more detailed and relaxed midrange. The unit’s quoted sensitivity is a modest 87dB (2.83V/1m) although at 6-ohms nominal impedance; nonetheless this should prove easy to match with a wide range of amplifiers, and Dali suggest those with a 25-150W output will suffice.

鐵氧體磁環包圍著混合鐵與 SMC 的極片，將其直接置於音圈的工作區域內。據稱這能將磁滯與渦電流降至最低，從而提供更乾淨、細節更豐富且更輕鬆的中頻表現。這款喇叭標示的靈敏度為適中的 87dB (2.83V/1m)，額定阻抗為 6 歐姆；儘管如此，它應該很容易與市面上多數擴大機搭配，Dali 建議使用具備 25-150W 輸出功率的擴大機即已足夠。

 

 

Finish options are walnut effect, natural oak look, black ash (as supplied for review) and white which is what I was told to expect although think I prefer the black as white tends to create a more contemporary look.

外觀選項有胡桃木紋、自然橡木紋、黑灰（即本次送測版本）以及白色。雖然我被告知會收到白色版本，但我認為我更偏好黑色，因為白色通常會營造出過於現代的視覺感。

 

尋找最佳擺位角度 Finding the angle

 

The Sonik 3 speakers were minty-fresh from Denmark, I set them atop my Custom Design FS104 Signature stands, half-filled, and they fitted the top plate to a tee. I had my mighty Hegel H600 (300W/ch) in use so connected this and quickly fell in love with the little Sonik 3 and really appreciated its midrange abilities and wonderful clarity across the presence region, so important for understanding dialogue and in speech-based material such as radio drama.

這對 Sonik 3 喇叭剛從丹麥原廠新鮮送達，我將它們放置在灌了一半金剛沙的 Custom Design FS104 Signature 喇叭架上，它們完美貼合了頂板。我當時正使用強悍的 Hegel H600（每聲道 300W）擴大機，接上後很快就愛上了這對小巧的 Sonik 3，並非常欣賞它的中頻表現以及在臨場頻段極佳的清晰度，這對於理解對白以及如廣播劇等以語音為主的素材來說非常重要。

 

However, with some music (pop/rock in particular) there was too much treble detail for my liking, this tending towards sibilance on some tracks and near overpowering such as to mask detail on others. I took some rough nearfield measurements which confirmed what I was hearing: a rising treble, accentuated on-axis, coupled with a humpy in-room bass response.

然而，在播放某些音樂（尤其是流行/搖滾樂）時，它的高音細節對我來說過多了，這在某些曲目中會傾向產生唇齒音（sibilance），在其他曲目中則強烈到幾乎掩蓋了其他細節。我進行了一些粗略的近場測量，證實了我聽到的現象：高頻上揚且在軸向上被放大，同時伴隨著房間內低音響應的隆起。

 

It was then that I recalled how a senior company executive once remarked at a demonstration that DALI also stood for “Don’t Angle Loudspeakers Inwards” so decided to remove the modest toe-in (angle towards listening position) and also put the magnetic grilles in place thinking they might filter any excess HF. This improved the situation greatly and to stop the large, rear-firing reflex port exciting room resonances I moved the speakers further from the rear wall. Inserting acoustic foam rings helped even further to control the bass.

這時我想起一位公司高層曾經在一場示範中提到，DALI 也代表著「喇叭不要內傾（Don’t Angle Loudspeakers Inwards）」，所以我決定取消輕微的內向擺位（Toe-in，朝向聆聽位置的角度），並裝上磁吸網罩，心想這或許能過濾掉過多的高頻。這麼做極大地改善了情況，而為了避免大型後置低音反射孔激發房間共振，我將喇叭進一步遠離後牆。塞入聲學泡棉環更進一步幫助控制了低音。

 

Changing amplifier also reduced the bass output at troublesome frequencies; firstly, to the more modest Hegel H190 and finally to the oh-so-tuneful Atoll ST300/AM300 Evo pre/power combo which gave access to Qobuz connect and myriad internet radio stations.

更換擴大機也減少了在麻煩頻段的低音輸出；首先換成輸出較溫和的 Hegel H190，最後換成極具音樂性的 Atoll ST300/AM300 Evo 前後級組合，這套組合也讓我能夠使用 Qobuz 連線以及無數的網路電台。

 

音質表現 Sound quality

 

These may be small boxes but they play loudly, and cleanly. Turning up the wick to neighbour-disturbing levels the output was still enjoyable and free from break-up; that seven-inch driver is clearly well designed. They also create a large soundscape, bigger than might be expected given the cabinet size, again the driver works well and has impressive dispersion characteristics. The sound is not as three-dimensional as from some of Dali’s bigger, more expensive models but we have to expect compromises as we go down the range.

這些雖然是小箱體，但它們播放起來不僅大聲，而且乾淨。將音量轉大到足以驚動鄰居的程度，其輸出依然令人愉悅且沒有盆裂失真；那顆 7 吋單體顯然設計得非常精良。它們還能營造出廣大的音場，比從其箱體尺寸所預期的還要大，這再次證明單體運作良好且具有令人印象深刻的擴散特性。雖然聲音不像 Dali 較大、較昂貴的型號那樣具備高度立體感，但隨著產品線向下延伸，我們必須預期會有一些妥協。

 

I was also really pleased by the driver integration, with an audibly seamless crossover from tweeter to woofer. Some poorly executed designs can be let down by this. Other attributes are an overall agility to deliver a pacy, vibrant sound, they react well to fast-moving programme material and bring out any excitement in the performance.

我也對單體的銜接感到非常滿意，高音到中低音單體的分頻在聽感上可說是無縫接軌。一些執行不佳的設計往往敗在這一點。其他的優點還包括整體的靈活性，能提供節奏明快、充滿活力的聲音，它們對快速變化的節目素材反應良好，並能帶出演出中的激昂感。

 

Timing is something many are concerned about and the little Sonik 3s pass muster on that score, as my feet tapped along to many a tune. All designs have their limitations and for the Sonik 3s it was perhaps that I wasn’t drawn into the performances as much as I might have been; they were taking place in front of me, at arms’ length. Not a bad thing in itself and reminiscent of some of the best monitor loudspeakers I have heard. Indeed, the little Soniks had more than a smattering of monitor characteristics which is probably why I enjoyed them so much.

節拍相位（Timing）是許多人關心的重點，而小巧的 Sonik 3 在這方面順利過關，因為我的腳忍不住跟著許多曲子打起節拍。所有設計都有其侷限性，對於 Sonik 3 來說，或許是我沒有像預期那樣被完全拉進演出之中；音樂是在我面前、一臂之遙的距離發生的。這本身並不是壞事，反而讓我聯想到我聽過的一些最優秀的監聽喇叭。事實上，小巧的 Sonik 擁有不少監聽喇叭的特質，這可能也是我如此喜歡它們的原因。

 

Down to specifics and I was moved by the clarity of voices, be it from speech or sung vocals, both male and female. Thus, Carly Simon’s You’re so Vain had its biting, intelligent lyrics brought home in a lifelike manner via the Sonik 3s. The catchy melody on this well-produced recording had my feet tapping along and brought a smile to my face. Clapton’s reggae-rock fusion I Shot the Sheriff (from 462 Ocean Boulevard), came over in all its glory as a smooth, bluesy and organ-driven track along with those glorious backing vocals from Yvonne Elliman and relaxed guitar work. One could easily be fooled into thinking that the Sonik 3s were much more costly than they are.

談到具體細節，我被它聲音的清晰度所感動，無論是說話聲還是男聲女聲演唱。因此，Carly Simon 的《You’re so Vain》透過 Sonik 3，以栩栩如生的方式展現了其犀利且充滿智慧的歌詞。這張製作精良的錄音中，朗朗上口的旋律讓我的腳跟著打節拍，也讓我露出了微笑。Clapton 融合雷鬼與搖滾的《I Shot the Sheriff》（出自《462 Ocean Boulevard》專輯），以一首流暢、帶有藍調色彩且由風琴驅動的曲目，完美展現了其所有魅力，伴隨著 Yvonne Elliman 迷人的和聲以及輕鬆的吉他演奏。人們很容易會被誤導，以為 Sonik 3 的價格比實際貴上許多。

 

Ultravox’s Vienna album was enjoyed in its entirety when I had intended to listen to just one track. That’s the hallmark of a good loudspeaker: one that keeps the listener hooked. I admire the album’s production qualities and recall the band’s live events from the era as they combined icy electronics with rock instrumentation and dramatic vocals. Imaging stood out here as the Sonik 3s arranged performers across the stage and yet each was defined; an achievement at this price point.

原本我只打算聽一首曲子，卻把 Ultravox 的《Vienna》整張專輯聽完了。這正是優秀喇叭的標誌：能讓聽眾欲罷不能。我很欣賞這張專輯的製作水準，並回想起了樂團那個時代的現場演唱會，他們將冰冷的電子樂、搖滾樂器與極具戲劇張力的嗓音結合在一起。結像力（Imaging）在這裡表現得特別突出，Sonik 3 在舞台上排列出了各個演出者，且每一個輪廓都非常清晰；在這樣的價位下這是一項了不起的成就。

 

 

Among classical standouts with the Sonik 3s was Mozart’s Rondo in D (K382) by the Philharmonia and Ashkenazy, on Decca. Piano is such a telling instrument and one that’s not easy to reproduce accurately. The little Soniks did a fine job with this charming, lively, and highly virtuoso piece which the maestro performs with clarity and grace. The pianist also conducting on this clean and slightly resonant recording, the result is a closely integrated performance between the soloist and the orchestra which the Dali speakers reproduce in a lifelike manner.

在 Sonik 3 表現出色的古典樂曲目中，包括由阿胥肯納吉（Ashkenazy）與愛樂管弦樂團（Philharmonia）在 Decca 唱片錄製的莫札特 D 大調迴旋曲（K382）。鋼琴是一種極具表現力的樂器，且不容易精確重播。這對小巧的 Sonik 在這首迷人、生動且需要大師級精湛技巧的曲目上表現得非常好，大師的演奏清晰且優雅。鋼琴家同時在這份乾淨且帶有微幅殘響的錄音中擔任指揮，結果是獨奏者與樂團之間緊密結合的演出，而 Dali 喇叭以栩栩如生的方式重現了這一切。

 

Sonik 解決方案 Sonik solution

 

 

Having made small adjustments to the positioning of Dali’s Sonik 3s, the results were impressive, notably the clean midrange and fine performance through the crucial presence region (4-6kHz) where many speakers made to a budget fail to succeed. The price of the Sonik 3 makes this an audio bargain, Dali has clearly worked hard to implement technology from its more prestige ranges and the result is to be commended.

在對 Dali Sonik 3 的擺位進行微調後，結果令人印象深刻，尤其是乾淨的中頻，以及在關鍵臨場頻段（4-6kHz）的優異表現，許多受限於預算的喇叭往往無法在這個頻段取得成功。Sonik 3 的價格讓它成為一款超值音響，Dali 顯然非常努力地將其高階旗艦系列的技術下放，其成果值得讚賞。

 

I can see the Sonik 3 making an excellent first-speaker, and in that way introducing new customers to the Dali lineup. They also worked very well either side of a large screen, whereas other designs work less well in such a setting. Other applications are likely to be as rear-channel speakers, or for secondary use in a bedroom, kitchen or study. Their size and weight also mean they would be great for student accommodation.

我認為 Sonik 3 能成為極佳的入門首選喇叭，並藉此向新客戶介紹 Dali 的產品線。它們放置在大螢幕兩側時的表現也非常出色，而其他設計在這種環境下通常表現較差。其他潛在的應用還包括作為後置環繞喇叭，或是做為在臥室、廚房或書房的第二套系統使用。它們的尺寸與重量也意味著它們非常適合學生宿舍。

 

The overall performance, matched with a highly competitive price, assures the Sonik 3 of a hearty recommendation and a worthy addition to the shortlist for anyone seeking compact speakers on a budget.

整體的效能表現，加上極具競爭力的價格，讓 Sonik 3 獲得了誠摯的推薦，也絕對值得那些預算有限且正在尋找緊湊型喇叭的人將其列入候選名單。

 

優點 Pros

 

• Exceptional midrange and clarity: The reviewer highlights wonderful clarity across the presence region, making them excellent for vocals, dialogue, and speech-based material like radio dramas.
  優異的中頻與清晰度： 評論者強調了其在臨場頻段極佳的清晰度，使其非常適合人聲、對白，以及如廣播劇等以語音為主的素材。

• High-value performance: Described as an audio bargain, the speakers use technology filtered down from Dali’s high-end Kore models, performing better than their price suggests.
  高性價比表現： 被形容為超值音響，這款喇叭採用了從 Dali 高階 Kore 型號下放的技術，表現超越了其價格水準。

• Large soundstage: Despite their dinky size, they create a soundscape much larger than expected with impressive dispersion.
  寬廣音場： 儘管體積小巧，它們卻能營造出比預期大得多的音場，並具有令人印象深刻的擴散特性。

• Seamless integration: The crossover between the tweeter and the 7-inch woofer is audibly seamless, providing excellent coherence.
  無縫銜接： 高音單體與 7 吋中低音單體之間的分頻在聽感上是無縫的，提供了極佳的連貫性。

• Power handling: They play loudly and cleanly without breaking up, even at high volumes, and are amplifier-friendly due to their constant impedance.
  承受功率： 它們能大音量且乾淨地播放，即使在極大音量下也不會產生盆裂失真，同時恆定阻抗的特性也讓它對擴大機十分友善。

• Versatility: Their compact size makes them ideal for small rooms or as high-quality rear channels in a home cinema setup.
  多用途性： 緊湊的尺寸使它們非常適合小房間，或是作為家庭劇院系統中高品質的後置環繞聲道。

• Pacy and engaging: The speakers are described as agile and vibrant, with good timing that encourages foot-tapping.
  節奏明快且具感染力： 這款喇叭被形容為靈活且充滿活力，擁有良好的節拍相位，讓人忍不住跟著打節拍。

 

缺點 Cons

 

• Demanding placement: They require careful positioning to sound their best and are sensitive to toe-in, meaning they should not be angled directly toward the listener.
  擺位要求高： 它們需要仔細的擺位才能發出最好的聲音，並且對內傾角（toe-in）很敏感，這意味著它們不應該直接朝向聆聽者。

• Treble sharpness: Out of the box and on-axis, the treble can be over-emphasized, leading to sibilance and harshness on pop or rock tracks.
  高音偏銳利： 開箱即用且在軸向對準的情況下，高音可能會過於強調，導致在播放流行或搖滾曲目時出現唇齒音與刺耳感。

• Port issues: The large, rear-firing reflex port can easily excite room resonances, requiring the use of foam bungs or specific room placement to control the low end.
  反射孔問題： 大型後置低音反射孔容易激發房間共振，需要使用泡棉塞或特定的空間擺位來控制低頻。

• Distance in performance: The reviewer noted a monitor-like detachment, feeling the performance was taking place at arms’ length rather than being fully immersive or three-dimensional.
  帶有距離感的聆聽體驗： 評論者注意到一種類似監聽喇叭的抽離感，感覺演出是在一臂之遙的距離發生，而不是完全沉浸式或極具立體感的。

• Finish quirks: While subjective, the reviewer noted that the wood-look finishes are effects rather than real wood veneers, which is consistent with the modest price point.
  表面處理的小缺憾： 雖然較為主觀，但評論者指出木紋外觀只是貼皮效果而非真木皮，這也與其親民的價位保持一致

 

規格：

• 類型： 低音反射式雙音路喇叭

• 分頻點： 2.3kHz

• 單體：

  • 中低音： 7 吋木纖維音盆

  • 高音： 29 mm 低損耗軟凸盆

• 頻率響應： 47Hz – 26 kHz (+/-3dB)

• 額定阻抗： 6 歐姆

• 靈敏度： 87dB @ 2.83v/1m

• 連接端子： 單線（Single-wire）喇叭端子

• 尺寸（高x寬x深）： 350 x 200 x 306mm

• 重量： 4.1公斤

•  外觀： 黑灰、白、胡桃木、自然橡木