Moon 371  優雅、細緻且實力驚人

 

文｜Ketan Bharadia  時間｜2/3/2026 翻譯｜Gemini 編輯、校稿｜巨禮小編

原文網址：https://www.whathifi.com/hi-fi/music-streamers/moon-371

 

評測建議售價 £6250 / $6500 / AU$11,999／新台幣23500

 

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What Hi-Fi? Verdict

The Moon 371 is one of the most capable streaming amplifiers we’ve heard and has build quality to match

What Hi-Fi? 評語

Moon 371 是我們聽過實力最強悍的串流綜合擴大機之一，且具備與其音質相襯的卓越製造工藝。

優點 PROS

• 流暢、細緻的聲音表現 (Fluid, refined presentation)

• 充滿表現力的動態與優異的節奏凝聚力 (Expressive dynamics and rhythmically coherent)

• 極具質感的造工與外觀打磨 (Lovely build and finish)

 

缺點 CONS

• 未搭載 USB DAC 輸入介面 (No USB DAC input)

• 專用串流 App 在操作體感上略顯生硬 (Streaming app feels a little clunky in use)

 

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Hi-fi enthusiasts have traditionally shied away from multi-function components, and for good reason. While such products may be convenient and reduce clutter, there is usually a large price to pay in terms of performance compared to separates alternatives.

傳統音響發燒友向來對多功能複合器材敬而遠之，而這背後確實有其道理。儘管這類產品具備便利性且能大幅減少線材與機身雜亂，但相較於分體式器材，往往必須在聲音表現上付出相當大的妥協代價。

 

However, we’ve noticed that things have been changing over the last few years. Manufacturers are definitely becoming better at integrating multiple functionality into a single chassis, while still achieving good sound quality.

然而，我們注意到過去幾年情況正在發生改變。音響廠商在單一機箱內整合多重功能的技術確實日益純熟，同時依然能夠維持優異的音質水準。

 

When it comes to the premium audio space, we think Moon has gone further along that path than most. Its Neo Ace from 2016 was a great building block, but for us, the new Moon 371 streaming amplifier takes a significant step forward into a world where ‘all-in-one’ doesn’t mean obvious sonic compromise.

談到頂級 Hi-End 音響領域，我們認為 Moon 在這條路上走得比多數品牌更為深遠。其 2016 年推出的 Neo Ace 奠定了極佳的基礎，但在我們看來，全新的 Moon 371 串流擴大機更是向前邁出了關鍵一步——踏入一個「一體機」不再意味著顯著聲音妥協的新境界。

 

This is the first product in Moon’s new Compass Collection, but perhaps even more importantly, the 371 introduces a much-evolved form of the company’s clever power supply technology, MHP (Moon Hybrid Power). But more on that later.

這是 Moon 全新 Compass 系列的首款力作，但或許更為重要的是，371 導入了品牌自家巧妙電源技術的進化版本：MHP（Moon 複合電源技術）。關於這點，我們稍後會做更深入的探討。

 

功能和連接性 Features & connectivity

 

 

It’s fair to say that the Moon 371 is a thoroughly modern take on what a premium streaming amplifier should be. That smart and relatively slim casework houses Class A/B amplification, a moving magnet/moving coil phono stage, digital-to-analogue conversion circuitry and a streaming module. You simply need to add speakers to create a neat system.

平心而論，Moon 371 是對當代頂級串流擴大機標準的徹底實踐。其洗練且相對纖薄的機箱內，容納了 Class A/B 放大線路、支援動磁（MM）與動圈（MC）的唱頭放大器、數位類比轉換（DAC）線路以及串流模組。您只需要接上一對喇叭，就能建構出一套簡潔俐落的音響系統。

 

Though the sleek visuals don’t really hint at it, this is a surprisingly powerful unit that is claimed to deliver 100 watts per channel into an 8-ohm load, and twice that as impedance halves.

儘管其俐落優雅的外觀並未張揚這點，但它卻是一台推力驚人的器材：原廠標稱在 8 歐姆負載下每聲道可輸出 100 瓦，當阻抗減半時，輸出功率更直接翻倍。

 

That ability to double power output with a halving of impedance is rare among amplifiers, and pretty much unheard of among those that also stream. In practical terms, that means the 371 is likely to drive pretty much any speakers you like to high volume levels.

這種在阻抗減半時功率完美倍增的能力，在純擴大機中已屬罕見，在整合串流功能的機種中更是前所未聞。以實際應用來說，這意味著 371 幾乎具備推動市面上任何喇叭的能力，並能在大音量下穩定發揮。

 

Beyond muscle, what we have is a well-equipped unit. The 371 packs Moon’s latest MiND 2 streaming platform, which means it plays music files from any server or storage on your home network, as well as providing access to streaming services such as Spotify, Qobuz, Tidal (all in Connect form), internet radio and more. It also features AirPlay and is Roon Ready.

除了充沛的驅動能量，這款器材的功能配置亦十分完備。371 搭載了 Moon 最新一代的 MiND 2 串流平台，這意味著它可以播放家用區域網路中任何伺服器或儲存裝置內的音樂檔案，並完整支援 Spotify、Qobuz、Tidal（皆支援 Connect 直連模式）、網路電台等串流服務。此外，它亦支援 AirPlay，並獲得 Roon Ready 認證。

 

Streaming file compatibility is good, with up to 32-bit/384kHz PCM and DSD256 files on the menu. This should be more than enough to cover most people’s needs.

串流檔案格式的相容性相當全面，最高支援至 32-bit/384kHz PCM 與 DSD256 檔案規格，這對絕大多數愛樂者的聆聽需求而言已綽綽有餘。

 

Physical connectivity is generous, and includes balanced and single-ended analogue inputs, two coaxial, one optical, USB-C for attached storage, and HDMI ARC. There is also a 6.3mm headphone socket on the front panel and a preamp-out on the rear.

實體端子介面亦相當豐富，包含平衡（XLR）與單端（RCA）類比輸入、兩組同軸、一組光纖、供外接儲存設備使用的 USB-C，以及 HDMI ARC 介面。前方面板配備一組 6.3mm 耳機輸出插孔，機背則備有一組前級輸出（Pre-out）。

 

Interestingly, the HDMI isn’t specified as eARC. When quizzed about this, Moon claims that the advantages of eARC don’t really translate into a stereo product like the 371.

值得注意的是，此處的 HDMI 並非採用 eARC 規格。當被問及這點時，Moon 表示 eARC 所具備的優勢，在像 371 這樣的雙聲道兩聲道純立體聲產品中並無實質轉換價值。

 

Fans of vinyl records haven’t been ignored. This streaming amplifier has a switchable moving magnet/moving coil phono stage built in. The switching is done via the on-board set-up menus. The moving-magnet gain is set at 40dB, and 60dB for moving-coil cartridges. These are fairly typical values for such inputs and should work well for most partnering cartridges.

黑膠唱片愛好者也未被忽略。這部串流擴大機內建了可切換 MM（動磁）/ MC（動圈）的唱頭放大模組，切換設定可直接透過機身上的選單進行。MM 增益設定為 40dB，MC 唱頭增益則為 60dB。這些都是相當標準且實用的數值設定，足以與市面上多數唱頭良好搭配。

 

作工 Build

 

Moon’s designers have taken the opportunity to update the company’s distinctive look, and to our eyes it works. This product instantly dates some of the older products in the company’s portfolio, while retaining all the elegance and curves that are part and parcel of Moon’s DNA. Finish options are either black or the company’s distinctive two-tone look.

Moon 的設計團隊藉由此作翻新了品牌的標誌性外觀，在我們看來相當成功。這款產品不僅完整保留了身為 Moon 靈魂核心的優雅曲線與設計基因，同時也讓品牌早期的部分作品顯現出鮮明的世代交替感。外觀提供純黑或品牌招牌的雙色混搭（Two-tone）兩種版本可選。

 

The large 17cm front-panel colour display is crisp and easy to see from a distance. It helps that the text font increases in size as the volume level changes, making it easy to read from the other side of the room, even in low light conditions.

前方大型 17 公分彩色螢幕畫質清晰細膩，即使遠距離觀看也一目了然。特別貼心的是，當調整音量時字體會主動放大，即便在昏暗光源下，也能輕鬆在房間另一端看清當前音量。

 

The 371’s build is well made. In the metal, the unit feels solid and is beautifully finished. We particularly like the newly designed heatsink on each side, a design that manages to look discreet and elegant while losing nothing in terms of efficiency.

371 的做工水準極為扎實。金屬機身觸感沉穩，表面打磨精美。我們特別欣賞兩側全新設計的散熱鰭片，其在維持絕佳散熱效率的同時，外觀更顯內斂雅致。

 

設計和內部架構 Design & engineering

 

Take a look inside the elegant casework, and you will find a neat and clean circuit layout. This streaming amplifier features two of Moon’s signature technologies, MHP (Moon Hybrid Power) and MDCA (Moon Distortion Cancelling Amplifier).

窺視優雅機箱內部，映入眼簾的是整齊俐落的電路佈局。這部串流擴大機搭載了兩項 Moon 的招牌核心技術：MHP（複合電源技術）與 MDCA（失真消除放大技術）。

 

We have come across MHP before (it was used in the 681 network streamer we reviewed back in early 2024), and it combines elements of a switch-mode design with those of a traditional linear power supply. However, in the 371 streaming amp, its use marks a major landmark in the technology’s development.

我們之前便接觸過 MHP 技術（曾應用於我們在 2024 年初評測的 681 網路串流播放器），它結合了交換式電源的特性與傳統線性電源的優點。然而，在 371 串流擴大機上的應用，標誌著該項技術發展的重大里程碑。

 

Up until now, an MHP supply has only been used in the company’s streamers and digital-to-analogue converters, components that have fairly consistent and relatively low power requirements.

在此之前，MHP 電源僅被應用於該公司的串流播放器與 DAC 數位類比轉換器等耗電需求相對穩定且負載較低的器材上。

 

This is certainly not the case with an amplifier, which has to work from whisper quiet to party levels, while driving a pair of speakers (with their demanding and inconsistent electrical loads). Moon’s engineers have put around two years of development into bringing the new MHP design to the market.

但擴大機的運作環境全然不同，它必須隨時因應從細微耳語到爆棚狂歡的動態變化，同時驅動一對負載嚴苛且阻抗變化劇烈的喇叭。Moon 的工程師耗費了約兩年的研發時間，才將全新世代的 MHP 設計推向市場。

 

The claims for this new generation of MHP over conventional switch-mode or linear power supply designs are improved stability, low noise and reduced vulnerability to mains supply issues. Moon is really proud of this development, so don’t be surprised to see it spread to future amplifier products.

原廠宣稱，這項新世代 MHP 相較於傳統交換式或線性電源設計，具備更高的供電穩定度、極低的噪訊底層，以及更不易受市電波動干擾的抗干擾能力。Moon 對此研發成果深感自豪，因此未來若在其他擴大機產品線上看到該技術的普及，也無須感到意外。

 

MDCA is a clever amplifier circuit design that reduces distortion to very low levels by comparing the input signal to the output and correcting any errors.

MDCA 是一套巧妙的放大線路設計，透過即時比對輸入與輸出訊號並校正任何誤差，將失真抑制在極低水準。

 

While that description makes it sound like a conventional feedback circuit, the configuration is cleverer than that, and our experience with the 371 shows plenty of benefits.

雖然這段描述聽起來與傳統的回授線路無異，但其架構配置遠比傳統回授更為精巧，而我們在 371 上的實際體驗也充分證實了這項設計帶來的顯著優勢。

 

A high-end streaming amplifier such as this Moon deserves good-quality speakers. Most of our testing is done using ATC’s SCM50 monitors and Epos’s ES-14N standmounters, though we also try it with the new Acoustic Energy AE1 40th Anniversary edition and the Award-winning PMC Prophecy 1. We’re pleased to report that the 371 performs admirably and consistently with all of them.

像 Moon 這樣的高階串流擴大機，值得搭配高品質的喇叭。我們的大部分測試均採用 ATC SCM50 監聽喇叭與 Epos ES-14N 書架喇叭進行，同時我們也嘗試搭配了全新的 Acoustic Energy AE1 40 週年紀念版以及屢獲殊榮的 PMC Prophecy 1。我們非常高興地向大家報告：371 與上述每一款喇叭搭配時，均展現出極為令人讚賞且高度一致的高水準表現。

 

聲音表現 Sound

 

 

Moon’s sonic DNA is based around refinement and fluidity. Its products don’t remind us of valve-based equipment or anything like that, but they invariably seem to deliver a clean, smooth balance that’s hard to dislike.

Moon 的聲音基因建立在細緻度與流暢感之上。它的產品不會讓人聯想到真空管器材那般的音染，但始終能呈現出一種乾淨、平順且討喜的極致平衡感。

 

It’s a spacious and uncluttered sound that is packed with detail and organised with care. These are ideal characteristics to allow Holst’s Mars (streamed from our Naim NAS) to shine.

那是一種開闊且絲毫不顯混亂的聲音，充滿豐富細節且編排井然有序。這些優異特質正好讓霍爾斯特的《火星》（透過我們的 Naim NAS 串流播放）綻放出極致光彩。

 

The 371 captures the menace of this Holst composition beautifully, delivering the piece with the authority and muscle it deserves. Dynamic shifts come through with force, yet there is never a sense that the Moon is working hard. There is a stress-free ease about this product’s presentation that is easy to like, particularly as it still communicates the energy and excitement in the music well.

371 完美捕捉了霍爾斯特此曲中的肅殺壓迫感，賦予樂曲應有的權威感與肌肉線條。動態起伏強勁有力，但 Moon 卻絲毫未顯露出吃力之感。這款器材的詮釋方式帶有一種毫無壓迫的從容自在，極易引人入勝，尤為難得的是它依然能精準傳遞出音樂中的充沛能量與澎湃張力。

 

Refinement levels stay high even when we push volume levels northward, and there is little sign of edge or undue hardness when we do so. We note that the 371’s casework remains at reasonable temperatures even when the amplifier is forced to work hard, which speaks well of the internal heat management

即使我們持續調高音量，聲音細緻度依然維持在極高水準，幾乎沒有出現毛邊或過度生硬的火氣。我們亦注意到，即使在擴大機全力重負載運作時，371 的機身表面依然保持在合理的溫熱範圍內，這充分證明了其內部散熱管理的優異水準。

 

The 371 paints a broad and deep soundstage, locating instruments with impressive precision and stability. As the music builds, we are impressed with the Moon’s composure and its ability to keep a firm grip on the various instrumental strands while still allowing the music to flow organically.

371 刻劃出寬廣深邃的音場，樂器定位精準且結像穩定。隨著音樂層層堆疊攀升，Moon 的沉著定力令我們印象深刻——它不僅能牢牢掌控各種樂器聲部的織體，同時依然讓音樂保持有機自然的流動感。

 

Detail levels are great, giving the sense that the Moon is communicating every last piece of information in the recording. This feeling remains in place when we switch to Prince's Diamonds And Pearls set on Tidal.

細節還原度極高，讓人感覺 Moon 正鉅細靡遺地傳遞錄音中的每一絲訊息。當我們在 Tidal 上切換播放 Prince 的《Diamonds And Pearls》專輯時，這種感受依舊強烈。

 

Here, the 371 reinforces our positivity by proving impressively cohesive when playing Gett Off. This song can easily sound messy, but the Moon isn’t having any of that. It renders the song with attitude and drive intact. The mass of instrumentation is arranged with care and underpinned by a firm understanding of rhythmic drive.

在播放《Gett Off》時，371 展現出令人驚嘆的凝聚力，進一步印證了我們的正面評價。這首歌曲若處理不當極易顯得雜亂無章，但 Moon 完全沒有這個問題。它將歌曲應有的態度與推進力詮釋得淋漓盡致，繁複龐雜的配器編排得當，並以對節奏動態的深刻掌控為穩固基石。

 

Gett Off’s chunky bassline comes through with weight and power, yet remains surprisingly articulate. The 371’s presentation is superbly balanced, where no part of the frequency range gets undue attention.

《Gett Off》中厚實沉穩的貝斯線條兼具重量感與衝擊力，同時依然保持驚人的清晰輪廓與條理。371 的三頻表現極為均衡，全頻段沒有任何一個頻段顯得突兀或喧賓奪主。

 

We can’t help but be pleased by the midrange clarity on offer and the way this unit conveys the texture and sass of Prince’s distinctive vocals well.

我們不禁對其出色的中頻清晰度深感讚賞，它將 Prince 標誌性嗓音的質感與那份放蕩不羈的神采詮釋得維妙維肖。

 

We like what the 371 does, irrespective of the input chosen. The company has shown itself to be skilled at DAC designs in the past, and that carries through here. The 371’s digital inputs retain everything we admire from the streaming section, from balanced tonality to the surprising degree of insight. The internal DAC switches between a 24-bit/192kHz recording of Shostakovich’s Symphony No.4 to Aimee Mann’s Lost In Space on DSD without issue.

無論切換至哪一組輸入端子，371 的表現都令人十分滿意。Moon 過去在 DAC 解碼設計上的深厚功力，在此作中得到了完美的延續。371 的數位輸入完整保留了我們在串流部分所讚賞的所有特點——從均衡自然的音色到令人驚豔的洞察力與細節剖析力。內建 DAC 在 24-bit/192kHz 規格的蕭士塔高維契《第四號交響曲》與 DSD 格式的 Aimee Mann《Lost In Space》之間切換播放時，反應順暢無礙。

 

The phono stage is good too. We feed it with our reference Technics SL-1000R with either the Kiseki Purpleheart moving coil cartridge or Vertere’s Dark Sabre moving magnet, and it works well with both. The circuit is quiet and hum-free while delivering a decent dose of transparency and balance.

內建唱頭放大線路的表現同樣可圈可點。我們使用參考級唱盤 Technics SL-1000R 分別搭載 Kiseki Purpleheart（木奇）MC 唱頭與 Vertere Dark Sabre MM 唱頭進行訊源輸入，兩者皆運作極佳。該線路背景寧靜無哼聲，同時展現出水準之上的通透度與聲音平衡感。

 

If vinyl were our main source, we would still consider a dedicated outboard unit such as Cyrus’ 40 PPA or Vertere’s Phono-1 MkII L, but for occasional users or those that simply don’t want to add the clutter of another box, the 371’s phono stage works well enough.

倘若黑膠是您的主要聆聽訊源，我們仍建議考慮選購獨立的外接唱放（例如 Cyrus 40 PPA 或 Vertere Phono-1 MkII L）；但對於偶爾聆賞黑膠、或是純粹不希望系統多出一台機器佔空間的愛樂者而言，371 內建的唱放表現已綽綽有餘。

 

We’re more enthusiastic about the 371’s headphone output. It sounds clear, clean and composed whether we connect the lively Grado RS1x or the technically accomplished though analytical Austrian Audio The Composer headphones. There is plenty of drive and a good range of adjustment on the volume control.

相較之下，我們對 371 的耳機輸出更具熱情。無論是接上活潑明快的 Grado RS1x，還是技術實力頂尖、聲底偏向解析的 Austrian Audio The Composer 耳機，聲音聽來都清晰、乾淨且沉穩。其具備充沛的驅動力，音量控制的調整階梯與寬容度也相當理想。

 

最終裁定給分 Verdict

 

Moon has done a great job with the 371 streaming amplifier. It is a neat and stylish package that ticks all the boxes as far as features go, while being a pleasure to use. Add the excellent sound quality into the equation, and it becomes a proper alternative to the best streamer/amplifier separates combinations on the market.

Moon 在 371 串流擴大機上的表現極為出色。這是一個俐落且具設計感的精品級產品，完美符合所有功能需求，操作體驗亦令人愉悅。若再加上其優異非凡的音質表現，它絕對有資格成為市面上頂級「串流＋擴大機」分體組合的絕佳替代方案。

 

Style, build and ease of use without sonic compromise? The Moon 371 shows it is possible.

在兼顧外型風格、頂級做工與便利操作的同時，完全不對聲音妥協？Moon 371 證明了這完全行得通。

 

評測發佈日期：2026 年 3 月 2 日

評分總結

聲音表現：5 星

製造工藝：5 星

功能配置：5 星